A forest
2019
Chromogenic prints from negative, paint. Fabric dyed with moss, herbs, leaves and bark. Wood frame. Icelandic wool.
Exhibited at Kiosk Project Space, Nida, Lithuania.
Installation of a frame with two textile pieces, that were dyed with moss and bark. On one of them I used a laser cutter to etch special generated unicode.
I am trying to make sense of a forest. Not a particular forest, but an idea of a forest. I want to make a monument to a forest, with hidden symbols, colours, smells.
I started with an image of a dust of snow on a tree. The snow is impermanent. Like a forest. Like any language I use to describe it.
A forest is vast. My monument is simple, contained. Personal. Domestic. A forest is contained. I am vast.
冫ɿ⇂ɿɿɿɿɿɿɿյɿɿɿ
ɿɿɿ ↡ɿɿ↷ɿՐɿⶒɿ
⇟Ì Ր✢ ɿɿɿɿɿɿɿɿ
ɿ ɭɿɿ⇑ɿɿɿↆɿ ↓
I am trying to make sense of a forest. Not a particular forest, but an idea of a forest. I want to make a monument to a forest, with hidden symbols, colours, smells.
I started with an image of a dust of snow on a tree. The snow is impermanent. Like a forest. Like any language I use to describe it.
A forest is vast. My monument is simple, contained. Personal. Domestic. A forest is contained. I am vast.
冫ɿ⇂ɿɿɿɿɿɿɿյɿɿɿ
ɿɿɿ ↡ɿɿ↷ɿՐɿⶒɿ
⇟Ì Ր✢ ɿɿɿɿɿɿɿɿ
ɿ ɭɿɿ⇑ɿɿɿↆɿ ↓
Installation images by Julija Navarskaitė and Andrej Vasilenko.
The patron of the project is Andrius Tamaliūnas.